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ON AND OFF THE ANTIQUES ROADSHOW

Many of you will remember ‘Going for a Song’. It was the forerunner of ‘The Antiques Roadshow’ and ran from 1965 to 1977 with Arthur Negus as its main antiques valuer and Max Robertson as its presenter. Arthur went on to record a pilot programme for the first ‘Antiques Roadshow’ in 1977, which proved so successful that it has continued in almost the same format ever since.

The programme’s first presenter was Bruce Parker (of ‘Nationwide’ fame) until 1979. Angela Rippon followed for a brief period and then Hugh Scully took over for a long spell until 2000. Arthur stayed with the programme until 1983 when he retired. He died in 1985.

My involvement could be said to have started in the late 1960s when I was working on the main reception counter at Sotheby’s. In those days the specialists would value items at the counter and it was an invaluable learning experience. From reception I did a short stint in the silver department where it was easy to learn the marks, although I’ve always found silver somewhat cold and characterless. I then progressed to the furniture department where I learned about pre-Victorian furniture – anything after George IV was considered ‘modern’ in the 1960s! Early furniture has remained my favourite discipline.

In those days antique dolls and automata were included in the back of the furniture catalogues, and one of the furniture directors, Charles Walford, took it upon himself to catalogue them. Charles was very generous with his knowledge and taught me a great deal, and although I have never been a ‘dolly’ sort of person, I became interested in the domestic history behind them.

In the 1970s Sotheby’s had an affiliation with a west country auction house and one of their specialists sent Charles a photograph of a doll asking if it was Chinese. I recognised this doll and said that it was of international importance and should be included in a London auction. Charles and I were duly instructed to get on a train to Cornwall to collect this doll and bring it to London. On the train Charles suggested we go to the restaurant car for a cup of tea, and there he told me that, as I now knew as much if not more about the subject as he did, he had been instructed by the directors to ask me if I would like to start a department devoted entirely to dolls and automata. Of course I said I should be delighted!

The west country doll was the star lot in my first sale in 1982 (See Illustration 1) and indeed created a first auction record for a bisque doll of £6,000. In the Daily Telegraph the next day there was a photograph of me holding the doll, our faces in profile looking at each- other with the caption ‘Bunny Campione with the new world record doll (Bunny on the left)!’ It was in fact a rare Jumeau ‘character’ doll, mould number 208, French circa 1889.

In 1983 I went on to stage the first Teddy bear auction and, after publicity of further auction records, more and more dolls, automata and soft toys started to be brought to the Roadshow. As nobody else wanted or was able to value them, my name was put forward for the Roadshow.

My first ARS was horrible – I think it was in a sports hall in Bournemouth. David Battie kindly brought me a pile of magic lantern slides, glass in wooden frames, and asked me if I’d like to record them. I gratefully accepted and gingerly took them from him, but one of them was loose in its frame – it slithered to the ground and smashed into smithereens, whereupon I handed the rest back to David, burst into tears and rushed to the loo! What on earth was I doing on this terrifying programme?

It took me a long time to stop being extremely nervous, and even now I find it a nerve-wracking experience. It was only when I realised that the people with whom I was filming were much more nervous than I was that I started to relax a little. Sometimes these people have been waiting for several hours, during which time both men and women have to be professionally made up, and it is not unknown for some women to go off to the hairdresser. Most of these people have never been on television so it can certainly be a daunting experience. Hugh Scully used to say it was a conversation between two people with 14 million eavesdroppers!

For anyone who has never been to the Roadshow it is a fairly sizeable operation. People I’ve met who have been to it all say they were amazed at the enormous amount of organising and professional planning that must have gone into it. An average attendance is 3,000 visitors during the one day, and apparently the number of objects valued can be as many as 20,000. There are approximately 30 technicians/ directors and crew, and 20 specialists. Most of the filming is outside now, whereas in the old days we filmed in sports halls as well as inside large houses. Of course the British weather can be very unkind, and it is on those occasions when we have to crowd into a tent which is never large enough to accommodate all of us and the public as well.

One of the worst outside broadcasts was at the Castle of Mey on the north coast of Scotland, home of the late Queen Mother. Not only did it rain heavily the whole day, but the wind got up to such as extent that you could hardly hear yourself speak for the pounding of the rain while filming in the tent. The organisers had been worried that we wouldn’t get enough public to come to the venue so they laid on a ferry from Orkney for the day. The only trouble was that by the end of filming, when the ferry was due to take them back, the wind had become so strong that the ferry was cancelled and the poor people had to find accommodation in the surrounding villages!

For anyone coming to a show for the first time, having parked your car, maybe a few hundred yards away, you start by queueing. In Accrington many years ago the queue started at 5.30a.m. During the night, the temperature had plummeted to minus 10 degrees, and by the time the gates opened there was a woman who had a metal synthetic ear which had frozen to her head. Before she was taken to hospital by St. John’s Ambulance (always on duty) she insisted on having her porcelain bowl valued by David Battie!

Twelve years ago, for the ARS’s 25th birthday, one man was determined to be the earliest person to queue on the day and that was 12.01am! He was a baker and had baked a special birthday cake to present to the show. There was a sugar Teddy bear on the top and he wanted to present the cake to me and Michael Aspel. Michael, a little unkindly I thought, insisted I give him a hug – not a pleasant experience with someone who has been up all night and was sweating with excitement…

At the head of the queue is the Reception desk where four general valuers ask to see what you have brought along to be valued. If you have a piece of porcelain you are given a slip of paper printed ‘ceramics and porcelain’; if you have a picture you are given a ‘picture’ slip. If you also have a piece of jewellery and a book – there is no limit to the number of pieces people can bring – you end up with four slips of paper and then start queueing to see a specialist at one of those tables.

It can take several hours of standing, sometimes on concrete, sometimes on wet grass and very often in the rain before people are seen. I once filmed a 90 year-old with her doll who had been queueing for four hours! She was a bit deaf so I don’t think she heard me value her doll at £800, but she pulled the doll to her face and kissed it and said ‘I’ll never sell you, darling Rosalie’. It made good filming.

We specialists are always encouraged to find out as much as we can about the history behind a piece we want to film, but we never tell the owners the value or anything else about it until we film. Reactions are therefore always spontaneous. Out of approximately 27 reels of film only about two are used for any one show. Rather surprisingly, we specialists never know if we have been cut, while the person who has been filmed will be told in advance if he or she is on and the date it will be shown.

Large pieces which cannot easily be carried to a Show are brought in the day before. We call this the ‘Furniture Round’. Two months before filming, advertisements are put in stationers, shops and libraries of the nearest town, encouraging the public to send to the BBC in Bristol a photograph with dimensions of anything too big to bring on the day, and a removal van and driver with a general antiques valuer visits each home. Sometimes they go to pick up a table and might see an interesting picture on the wall and suggest they bring that too. The owners are promised the pieces will be valued but not necessarily filmed. They are also given an entry ticket so they don’t have to queue.

There are two types of camera: one is called a PSC (or portable single camera), together with a director and sound and lighting technicians. This team can film short pieces without too much waiting around for the public. It is fine for a short piece which doesn’t need too close a shot. It is one of these teams who film the presenter going round the venue. The other film crew is a much larger set-up with around four or five cameras, two producers, directors, floor manager, lighting and sound technicians. There is also a producer’s assistant who monitors the list of filming every quarter of an hour throughout the day.

If someone brings a really exciting piece to the Show towards the end of the afternoon it is more than likely that the filming list is full and it has to be turned down. This happened when we made two programmes in the Channel Islands, Guernsey on the Tuesday followed by Jersey two days later on the Thursday. Eric Knowles particularly wanted to film a rare porcelain item in Jersey, but unfortunately the woman brought it in too late, so the producer told him to suggest to her that she bring it to Jersey, where he would make sure it was filmed. When Eric relayed this message the woman was heard to exclaim “Young man, if you think I’m going to let myself be seen by all my friends filming on Jersey you are very much mistaken!” (There is still an underlying hostility between the two islands, ‘old’ money and ‘new’!)

On Guernsey a very old lady brought an 18th Century wooden doll. We filmed this on the PSC and just before we started filming I asked her if the doll had a name and she said it didn’t. The camera showed the whole doll, with me pointing out various things including the wooden hip joints and the lack of any knickers, thus emulating 18th Century ladies of the day. I then pulled her dress down at the bust to show her moulded wooden bosoms and pointing out that the dress was 19th Century while the doll was 18th Century.

At the end of each recording the camera has to zoom in for close-ups of all the places we have picked out, which are known as ‘cut-aways’. Just before we started filming the old lady said to me “Do you mind if I call my doll Bunny?”; of course I said I should be delighted. The director continued the filming, asking if I could pull up ‘Bunny’s’ skirts again to show that ‘Bunny’ wasn’t wearing any knickers, and to pull down the top to show ‘Bunny’s’ bosoms! By this time we were all falling about giggling so much that the piece was eventually cut, probably due to our behaviour!

I also unwittingly caused some amusement at Layer Marney. An extremely large Teddy bear was put on the bonnet of Nick Charrington’s vintage car on one side of me, with the owner on the other side, an audience of several people standing behind us (see Illustration 2). The floor manager’s arm indicated and I started filming. Looking at the Teddy bear I said “I’ve never in 25 years had one as big as that before”, and I turned to look at the owner who was convulsing with laughter, as were the onlookers behind me. I suddenly realised what I’d said and compounded it by saying “I mean a Teddy bear”! The producer e-mailed me the day before it was shown, apologising but saying that it was too amusing to cut!

At The University of East Anglia I was singled out to film a large group of porcelain canaries which a man had collected over the years. Very appropriate with Norwich City called ‘The Canaries’! (See Illustration 3).

In Northern Ireland when we filmed at Mount Stewart, a delightful Irishman brought in a Teddy Bear. He said it had been kept in a bag in a cupboard and a dealer had suggested he take the bear to London and perhaps he could get £2,000 for it. I recognised this bear as a rare Steiff ‘Clown’ bear of 1928 and told the owner to add a nought. He reacted wonderfully and said in his lovely lilting Irish accent ‘Will you ask somebody to take me home in a wheelchair?’ ! (See Illustration 4).

Sometimes between recording a piece and when it is shown to the public, the owner has decided to sell it. The Mount Stewart clown bear was just such a one. I get all the toy catalogues and in a Christie’s catalogue what should be coming up for auction but this bear. Of course my valuation of £20,000 was pretty high and it worried me that if the bear was knocked down in the saleroom for £10,000 or less, I would look a fool. The day of the auction arrived and I nervously hid behind a pillar. The bidding hovered around £10,000 and then stopped. I gulped. Finally it continued, and eventually the hammer came down at £20,000, which, with the buyer’s premium, was £22,000. I was saved.

I love filming in Ireland; we’ve had some quirky and amusing stories there. At one venue first thing in the morning when the doors open at 9am an Irishman was at the head of the queue and Eric Knowles valued his tea- set. By 3pm the same man was again at the head of the queue, with the same tea-set, and when Eric said he thought he had told him all he wanted to know about it, the man said “Oh yes, I know, but I thought you were such a nice man I’d come and see you again”!

The BBC has filmed many Roadshows overseas. In each case the host country pays for us to go there so the costs don’t come out of the British public’s purse. We’ve been to Jamaica, Scandinavia, France, Belgium, Holland, Australia and Canada.

In this year’s recent filming we went to Barrington Court in Somerset, and two sisters brought in a most unusual Steiff starfish stool (you try saying that when you are filming!) The talkative sister looked just like a blonde version of Liza Minnelli (See Illustration 4)

Many letters are written to the BBC about the show or the specialists, some are personal. The BBC forward these to us and reply to the sender saying that we may not reply. I’ve had letters from two different prisoners in different prisons, who both said they wanted to be my pen-pals! Antiques Roadshow venues for 2015 will be available soon on www.bbc.co.uk/antiquesroadshow

Bunny Campione

I am grateful for yet another article from Bunny Campione who happens to live in the same village as myself, Lamarsh. She, and her husband, Iain Grahame, have been regular contributors, and Iain has an article on Badgers elsewhere in this issue.

2025 - Read about the wonderful new gallery being built in Sudbury for Gainsborough's masterpieces; follow the trail of a tireless local environmental campaigner; get ready for the second EA cultural festival, the Bures music festival and Opera at Layer Marney; discover the beautiful garden of Holm House with its wildflower meadow and lake; travel through the Colne valley along the Gainsborough line; find out where you can get local financial advice; enjoy an illustrated walk in the Stour Valley; and read our Chairman's update on proposed housing developments, solar farms, and the National Grid's Bramford to Twinstead electricity grid reinforcement project. 

2022 - Read about the wonderful new gallery being built in Sudbury for Gainsborough's masterpieces; follow the trail of a tireless local environmental campaigner; get ready for the second EA cultural festival, the Bures music festival and Opera at Layer Marney; discover the beautiful garden of Holm House with its wildflower meadow and lake; travel through the Colne valley along the Gainsborough line; find out where you can get local financial advice; enjoy an illustrated walk in the Stour Valley; and read our Chairman's update on proposed housing developments, solar farms, and the National Grid's Bramford to Twinstead electricity grid reinforcement project. 

2022 Magazine
Year: 2022
Chairman’s Letter
Year: 2022
Rebel with a cause
Year: 2022
A National Centre for Thomas Gainsborough’s Masterpieces
Year: 2022
EA Festival at Hedingham Castle
Category: Culture
Year: 2022
The Gainsborough Line
Category: Adventure. Travel, Explore Colne Stour
Year: 2022
Music, Mischief and Mayhem – Opera at Layer Marney
Year: 2022
Bures Music Festival
Year: 2022
Holm House Gardens in Suffolk
Year: 2022

2020 - Welcome to our 2020 lockdown edition - only published ONLINE. Read about the wonderful Alfred Munnings Exhibition "Behind the Lines"; find out how the beavers have been getting on at the Spains Hall Estate in Finchingfield, introduced back into Essex after an absence of 400 years; explore the link between Ferriers in Bures and the Voyage of the Mayflower, the Salem Witch trials and Wampum belts; read a fascinating interview with Carl Shillingford, talented Michelin chef and keen local forager; and enjoy a celebratory update from Ken Forrester on South African wines and his support for a wonderful local school.  

2020 Magazine
Year: 2020
Chairman’s Letter
Year: 2020
Behind the Lines: Alfred Munnings, War Artist
Category: Art, Culture
Year: 2020
The Foragers Retreat – Michelin chef in Pebmarsh.
Category: Food, Nature
Year: 2020
Dam Good Job – Beavers back in Essex after 400 years.
Category: Explore Colne Stour, Nature
Year: 2020
Ferriers – a Bures house and its connection to the Mayflower.
Category: Adventure. Travel, Architectural Interest, Culture, History
Year: 2020
Three special milestones for Ken Forrester Wines  
Category: Brewing, distilling and wine
Year: 2020

2019 - Read about Tudor living on a grand scale at Alston Court, how Samuel Courtauld & Co. shaped our towns and villages, hear inspiring stories of local vineyards Tuffon Hall and West Street, get an update on the Dedham Vale AONB extension, and take a tour round Polstead Mill, one of East Anglia's beautiful secret gardens. 

Chairman’s Letter
Year: 2019
Dedham Vale AONB extension
Year: 2019
The Tuffon Hall Transformation
Category: Brewing, distilling and wine
Year: 2019
A Hong Kong racehorse in an Essex field
Category: Nature
Year: 2019
Andy Gentle – A chainsaw love affair
Category: Business
Year: 2019
A vivid insight into Tudor living on the grand scale.
Category: Architectural Interest, History
Year: 2019
Underground Moats & Zinc Cathedrals
Category: Brewing, distilling and wine
Year: 2019
Secret Gardens of East Anglia – Polstead Mill
Category: Gardens
Year: 2019
Repairing the damage of a supermarket delivery van
Year: 2019
How Samuel Courtauld and Co. shaped our towns and villages
Category: Architectural Interest, Culture, History
Year: 2019
Ken Forrester
Year: 2019
CSCA Photography Competition
Year: 2019
Garden Visits
Category: Gardens
Year: 2019
Treasurer’s Report
Year: 2019

2018 - Read about Hedingham Castle, a new National Centre for Gainsborough in Sudbury, award-winning new Gins from Adnams, aspects of our Industrial Heritage, the Theatre Royal in Bury St Edmunds, the Dedham Vale AONB and Stour Valley Project, and take a look at the proposed new Constitution for CSCA.. 

Chairmans Letter April 2018
Category: Annual, News, Planning Issues
Year: 2018
History of the Theatre Royal, Bury St Edmunds
Category: Architectural Interest, Art, Culture, History
Year: 2018
Another Suffolk Success Story – Time for a G & T?
Category: Brewing, distilling and wine
Year: 2018
Some more aspects of our Industrial Heritage
Category: Agricultural, Brewing, distilling and wine, History
Year: 2018
An Earl’s Tower
Category: Architectural Interest, History
Year: 2018
A Castle Reborn
Category: Architectural Interest, History
Year: 2018
Dedham Vale AONB and Stour Valley Project
Category: Explore Colne Stour, Nature, Planning Issues
Year: 2018
A National Centre for Gainsborough set within the town where he was born and the landscape that inspired him
Category: Architectural Interest, Art, History
Year: 2018
Garden Visits
Category: Gardens, History
Year: 2018
Treasurer’s Report
Category: Treasurer’s Report
Year: 2018
New Constitution
Year: 2018
Editor’s Notes
Category: Editors notes
Year: 2018

2017 - Read about our local industrial heritage, Paycocke's House history, why heritage matters, the art of Alfred Munnings, a haunted house in Lamarsh, celebrating Gainsborough, the beauty of recreating Cedric Morris's Iris collection and a small wine snippet from Ken Forrester. 

Chairmans Letter April 2017
Category: Annual, News, Planning Issues
Year: 2017
Heritage Matters
Category: Architectural Interest, History
Year: 2017
Some aspects of our Industrial Heritage
Category: History
Year: 2017
Paycocke’s House: a witness to history
Category: Explore Colne Stour, History
Year: 2017
The House of his Dreams: Reimagining The Munnings Art Museum
Category: Art, Explore Colne Stour, History
Year: 2017
‘The Haunted House’ of Lamarsh – Some Early Reflections
Category: History
Year: 2017
Gainsborough’s House: Celebrating the Past and Looking to the Future
Category: Art, Explore Colne Stour, History
Year: 2017
Another, highly unusual, Suffolk Success Story
Category: Gardens, Nature
Year: 2017
Garden Visits 2017
Category: Gardens, Nature
Year: 2017
Dirty Little Secret
Category: Brewing, distilling and wine
Year: 2017
Website
Category: News
Year: 2017
Editor’s Notes
Category: Editors notes
Year: 2017
Treasurer’s Report
Category: Treasurer’s Report
Year: 2017

2016 - Interesting articles on medieval graffiti, farming in the Stour Valley, exploring our AONB, early settlers from the Stour Valley to America, the archaeology of a local farm, a wonderful catalogue of British birds, celebrating a Suffolk joinery business, the weather from a South African winery. 

Chairmans Letter
Category: Annual
Year: 2016
Medieval Graffiti: the hidden histories…
Category: History
Year: 2016
Stour Valley Farming
Category: Business
Year: 2016
The Godly Kingdom of the Stour Valley
Category: History
Year: 2016
Keeping It Special in the Dedham Vale Area of Outstanding Natural Beauty (AONB) and Stour Valley Project
Category: Nature
Year: 2016
Lodge Farm, Rectory Road, Wyverstone Street, Suffolk
Category: Architectural Interest, History
Year: 2016
A Miscellany of Information about British Birds
Category: Nature
Year: 2016
Another Suffolk Success Story
Category: Business
Year: 2016
Garden Visits
Category: Gardens
Year: 2016
Harvest, Fires and Fynbos
Category: Brewing, distilling and wine
Year: 2016
LOOKING FORWARDS, BEFORE I GET LEFT BEHIND….
Category: Brewing, distilling and wine
Year: 2016
EDITOR’S NOTES
Category: Editors notes
Year: 2016
Annual General Meeting and Summer Party
Category: A.G.M.
Year: 2016
TREASURER’S REPORT
Category: Treasurer’s Report
Year: 2016

2015 - The life and times of a flint knapper. A continuation about the history of the ancient farm at Henny and a visit to the inside of Alston Court, Nayland as well as an insight into The Antiques Roadshow.  

Chairman’s Letter – February 2015
Category: Annual
Year: 2015
Caught Knapping
Category: History
Year: 2015
ALSTON COURT
Category: Architectural Interest, History
Year: 2015
ORGANIC MUTTERINGS
Category: Brewing, distilling and wine
Year: 2015
THE STORY OF SPARROW’S FARM, GREAT HENNY – PART 2
Category: History
Year: 2015
ON AND OFF THE ANTIQUES ROADSHOW
Category: Business
Year: 2015
UNLOCKING THE ARTIST WITHIN: FINE ART LANDSCAPE PHOTOGRAPHY
Category: Art, Explore Colne Stour
Year: 2015
BADGERS – LOVE’EM, OR HATE’EM?
Category: Nature
Year: 2015
GARDEN VISITS
Category: Gardens
Year: 2015
FORRESTER VINEYARDS, SOUTH AFRICA
Category: Brewing, distilling and wine
Year: 2015
EDITOR’S NOTES
Category: Editors notes
Year: 2015
TREASURER’S REPORT
Category: Treasurer’s Report
Year: 2015

2014 - A hair-raising flight from UK to South Africa and an insight into the Wineries of Stellenbosch. An exceptional old mill just outside Bures and a most unusual chapel on the hill behind, as well as a time warp farm at Henny. 

Chairman’s Letter – February 2014
Category: Annual
Year: 2014
ST. STEPHEN’S CHAPEL, BURES
Category: History
Year: 2014
THE STELLENBOSCH WINE ROUTE – THE PEOPLE AND THE DOGS!
Category: Brewing, distilling and wine
Year: 2014
THE UPS AND DOWNS OF A FLIGHT TO STELLENBOSCH AND BACK
Category: Adventure. Travel
Year: 2014
A SUFFOLK SUCCESS STORY – JIM LAWRENCE LTD
Category: Business
Year: 2014
HOLD FARM, BURES ST MARY; A RARE TUDOR WATERMILL
Category: Architectural Interest
Year: 2014
THE STORY OF SPARROW’S FARM, GREAT HENNY
Category: History
Year: 2014
YOUR COUNTRYSIDE – FIGHT FOR IT NOW! your Britain fight for it now
Category: Planning Issues
Year: 2014
TUNBRIDGEWARE
Category: History
Year: 2014
EXTENDING THE DEDHAM VALE AREA OF OUTSTANDING NATURAL BEAUTY (AONB) – UPDATE
Category: News, Planning Issues
Year: 2014
GARDEN VISITS
Category: Annual, Gardens
Year: 2014
EDITOR’S NOTES
Category: Editors notes
Year: 2014
TREASURER’S REPORT
Category: Treasurer’s Report
Year: 2014

2013 - Watermills on the Stour. How Constable and Gainsborough would have seen many of the buildings in our area. Let’s protect the Stour Valley by extending the AONB from where we take over from The Dedham Vale at Wormingford towards Sudbury. 

Chairman’s Letter – February 2013
Category: Annual
Year: 2013
THE WATERMILLS OF THE RIVER STOUR
Category: Architectural Interest, History
Year: 2013
MANAGING A MASTERPIECE: THE STOUR VALLEY LANDSCAPE PARTNERSHIP
Category: Art, History
Year: 2013
EXTENDING THE DEDHAM VALE AREA OF OUTSTANDING NATURAL BEAUTY (AONB)
Category: Planning Issues
Year: 2013
BUILDINGS IN THE EAST ANGLIAN LANDSCAPE – AS SEEN BY JOHN CONSTABLE
Category: Art, History
Year: 2013
THE ROUND CHURCH AT MAPLESTEAD
Category: Architectural Interest, History
Year: 2013
THE FINE WINES OF ENGLAND
Category: Brewing, distilling and wine
Year: 2013
PROGRESS AGAINST PYLONS: A ROUNDUP OF RECENT DEVELOPMENTS IN THE PYLONS SAGA
Category: Planning Issues
Year: 2013
TEA AND THE TEA CADDY A BRIEF STUDY OF THE EARLY HISTORY OF TEA AND ITS CONTAINERS
Category: History
Year: 2013
GARDEN VISITS
Category: Annual, Gardens
Year: 2013
EDITOR’S NOTES
Category: Editors notes
Year: 2013
TREASURER’S REPORT
Category: Treasurer’s Report
Year: 2013

2012 - A walk through many of the churches along the River Stour and how the Romans once lived right here in our midst, and how your pint is brewed. Also the ongoing fight to rid the Stour of the blight of Pylons. 

CHAIRMAN’S LETTER – FEBRUARY 2012
Category: Annual
Year: 2012
TREES R US – AN AMATEUR ARBORETUM
Category: Nature
Year: 2012
GLIMPSES INTO SOME STOUR VALLEY CHURCHES
Category: Explore Colne Stour, History
Year: 2012
THE ART OF BREWING
Category: Brewing, distilling and wine
Year: 2012
PLANNING REFORM
Category: Planning Issues
Year: 2012
‘ELF ‘N SAFETY . . . AND ALL THAT
Category: Explore Colne Stour
Year: 2012
BRINGING OUR PAST TO LIFE: GESTINGTHORPE ROMAN VILLA
Category: History
Year: 2012
MINIATURE OR APPRENTICE PIECE?
Category: History
Year: 2012
GAINSBOROUGH’S VIEW
Category: Art, Explore Colne Stour
Year: 2012
NEW STOUR VALLEY ENVIRONMENT FUND
Category: News
Year: 2012
TREASURER’S REPORT
Category: Treasurer’s Report
Year: 2012
EDITOR’S NOTES
Category: Editors notes
Year: 2012
THE COLNE STOUR COUNTRYSIDE ASSOCIATION. MINUTES OF THE 46TH ANNUAL GENERAL MEETING HELD AT FERRIERS BARN, BURES ON THURSDAY 12TH MAY 2011
Category: A.G.M.
Year: 2012

2011 - The brewers of East Anglia. The gardens of Marks Hall as well as the paintings of Alfred Munnings on display in Sudbury. How a small church became the Cathedral in Bury St Edmunds and all you need to know about antique birdcages. 

CHAIRMAN’S LETTER – APRIL 2011
Category: Annual
Year: 2011
Pylons
Category: Planning Issues
Year: 2011
THE PAINTED CHURCH BECOMES BURY’S CATHEDRAL
Category: History
Year: 2011
MARKS HALL AND THE PHILLIPS PRICE TRUST
Category: History
Year: 2011
BREWING IN EAST ANGLIA
Category: Brewing, distilling and wine
Year: 2011
BURES MILL OVER NINE CENTURIES
Category: Architectural Interest, History
Year: 2011
LANDSCAPES BY MUNNINGS EXHIBITION AT GAINSBOROUGH’S HOUSE
Category: Art
Year: 2011
BIRD-CAGES – A FASCINATION
Category: History
Year: 2011
DAWS HALL EVENTS 2011
Category: Annual
Year: 2011
EDITOR’S NOTES
Category: Editors notes
Year: 2011
GARDEN VISITS
Category: Annual, Gardens
Year: 2011
TREASURERS REPORT
Category: Treasurer’s Report
Year: 2011
THE COLNE STOUR COUNTRYSIDE ASSOCIATION. MINUTES OF THE 45TH ANNUAL GENERAL MEETING HELD AT FERRIERS BARN, BURES ON THURSDAY 6TH MAY 2010
Category: A.G.M.
Year: 2011
ANNUAL GENERAL MEETING 2010
Category: A.G.M.
Year: 2011

2010 - An artist who enjoyed his port and a canoe adventure along the Stour. Sudbury’s history and Coggeshall Abbey and a fight to get rid of Pylons from the Stour Valley. 

Chairmans Letter
Category: Annual
Year: 2010
A Pint of Port to Paint a Picture
Category: Art, History
Year: 2010
A Walk Round Coggeshall Abbey
Category: Explore Colne Stour
Year: 2010
By Canoe to Cattawade
Category: Adventure. Travel, Explore Colne Stour
Year: 2010
Nocturnal Visitors
Category: Nature
Year: 2010
Sudbury New Town – c.1330
Category: History
Year: 2010
A Stay in a Nomad’s Tent
Category: Business
Year: 2010
Freeing our countryside of the blight of pylons
Category: Planning Issues
Year: 2010
Hobbies on the Stour
Category: Nature
Year: 2010
Editor’s Notes
Category: Editors notes
Year: 2010
Website
Category: News
Year: 2010
Annual General Meeting 2009
Category: Annual
Year: 2010

2009 - Norwich School art and the Maplesteads. Ancient wallpapers, and is Long Melford the epitome of a Suffolk village? and don’t throw away a rug before checking what it is. 

Chairmans Letter
Category: Annual
Year: 2009
By Hook or by Crook
Category: Art, History
Year: 2009
Unwanted Wildlife – Some Handy Hints
Category: Gardens
Year: 2009
East Ruston Old Vicarage
Category: Gardens
Year: 2009
Squash a Squirrel – Save a Tree
Category: Nature
Year: 2009
Historic Wallpapers and Cole & Son
Category: Business
Year: 2009
Long Melford – ‘Suffolk in a day’
Category: Architectural Interest, Explore Colne Stour, History
Year: 2009
Don’t throw away a fortune!
Category: Business
Year: 2009
Garden Visits. Away Days
Category: Gardens
Year: 2009
Website
Category: Annual
Year: 2009
Editors Notes
Category: Editors notes
Year: 2009
Annual General Meeting 2008
Category: Annual
Year: 2009

2008 - The bell founders of Sudbury and all about a rogue from our area, Sir John Hawkwood, and a Sudbury secret – Gainsborough’s House. 

Member’s Letter
Category: Annual
Year: 2008
Cycling in Suffolk – An Environmental Holiday
Category: Explore Colne Stour
Year: 2008
The Sudbury Bell Founders
Category: History
Year: 2008
The CSCA Website
Category: News
Year: 2008
From Sible Hedingham to Florence. The Remarkable Life of Sir John Hawkwood
Category: History
Year: 2008
‘One of Suffolk’s Best Kept Secrets’- Gainsborough’s House, Sudbury
Category: Art, Explore Colne Stour
Year: 2008
Discovering Historic Wallpaper in East Anglian Houses
Category: History
Year: 2008
The not so humble Mole (Talpa Europaea) and how to catch him
Category: Nature
Year: 2008
Annual Report 2007.
Category: Annual
Year: 2008

2007 - Why a bell had to be chipped to get into the belfry at Lamarsh. Watermills on the Colne and Dragonflies. 

Water Mills on the Upper Colne
Category: Architectural Interest, History
Year: 2007
Dragonflies on the Stour
Category: Nature
Year: 2007
Lamarsh Bell Restoration
Category: Architectural Interest
Year: 2007
The CSCA Website
Category: News
Year: 2007
What is wrong with our Horse Chestnuts?
Category: Nature
Year: 2007

Join Colne-Stour now

WEBSITE EDITOR

Emma Stewart-Smith

MAGAZINE EDITOR

Christy Simson

CHAIRMAN

Alexander Robson

HON TREASURER

Michael Goodbody

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